Introducing Zoey and the Zombies

Zoey one

The world is overran with undead. Giant hordes are pouring out of the East Coast, threatening the Midwest. The defense of Mondamin Court, a quiet neighborhood in Des Moines, Iowa is up to a disabled cop, a fourteen year old boy and a transgender girl. What could go wrong?

Mondamin Court is a typical lower middle class neighborhood in a midwestern city. The people are a cross section of America. Each book starts with the same setting and characters but they face a different apocalyptic scenario.

Release date is: June 20th

Update, it’s out:

Amazon

Kobo

Everywhere Else

Why Give Books Away for Free?

I just wrapped up a big free giveaway of my latest novel Children of a New Earth. Why giveaway books? Some indie authors and a lot of traditional publishers, hate free giveaways. They argue that a writer works hard and shouldn’t devalue their work by giving it away free. They argue that free and bargain books are creating a glut and a race to the bottom, where the only way to succeed is to give things away.

Other indie authors were happy to use free promotions, a couple of years ago. Free is dead, they say. Amazon algorithms once favored free. A free giveaway still counted as a sale and a big free promotion could drive up your sales rank significantly. Now the algorithm has changed and that no longer works.

I am sensitive to all these arguments, but free remains an important part of my marketing strategy and here’s why.

One of the best books I’ve read on marketing is Write. Publish. Repeat. One of the most important things I learned from the books is that you have to have a marketing strategy. A marketing strategy means an overall philosophy about how to market yourself and your books.

Without a strategy all you have is a collection of techniques. Some techniques work some of the time but not others. Some work for awhile until something changes. Other techniques work, but may work against each other if not guided by one philosophy.

Free promotions are a great example. They used to work great, propelling some indie to renown. Now they work less well. Amazon will change its algorithm again and we’ll see, they might work well again or they might work against the author.

Free compliments certain techniques but works against others. Imagine that an author uses any sort of hard sell technique to create a sense of urgency about buying their book. You hand over your money. Next weekend the same book is free. I’d be pissed.

According to the Write. Publish. Repeat. guys any artist in any medium can support themselves doing their work if they have one thousand true fans. True fans will buy your book as soon as it’s released. That alone makes them a valuable resource. Imagine getting a thousand sales the day you release. Imagine if one in ten wrote a review. That would be over a hundred reviews on your book.

But true fans will do more than that, they’ll talk about your book. They’ll share your message. They’ll come to your events and build buzz around you. Basically they’ll do all those things that authors attempt to fake with social media buzz and “street teams.”

One of the marketing strategies they talk about a lot in that book is finding your tribe. Finding your tribe means finding those thousand fans, those people who will love what you write, talk about what you write and share your message. To say that these fans are worth their weight in gold might be an exaggeration, but they are certainly worth the cost of one book, especially in the digital age.

My marketing strategy is heavily based on the notion of finding my tribe. I will bend over backwards to give you, or anyone, a chance to read my work, no strings attached. I have a couple free stories on Wattpad. I have a couple on my website as well. If you sign up for my newsletter I will give you a free book. I also run free promotions regularly. I do this because I have confidence that at least some of you will come back and join the tribe.

Join my email list right here:

Free when you sign up for my newsletter.

Free when you sign up for my newsletter.

Marketing in this way means I also measure success a bit differently. I like sales. Everyone likes making money and I do have the dream of doing this fulltime someday. But right now sales aren’t the only or even primary means that I measure success. I measure success in many milestones, followers on various social media, reads on my wattpad site, reviews on my published books. The one I love the best is personal feedback, of course. There is no greater thrill for an author than a letter or email from a reader who was touched by something you wrote.

However I choose to measure success on any given day, the point is to build a tribe around my work. That’s why I run free promotions of my books. Maybe someday, when I have more than a thousand true fans, I will reconsider my strategy, but I doubt it. This is the author I want to be, one who is known for being generous with her work and her time. One who values her fans as much as they value her.

And by the way, it’s not just indies that think this way. I would like to end off with an interesting interview with Neil Gaiman about putting his novel American Gods out for free.

 

Why Buying Likes Hurts Everyone

(Re-published from my Nuts and Bolts Newsletter)

As Social Media marketing has become vital for advertisers, a black market has emerged. It is a black market in likes, friends and followers. It exists on almost every platform. You can buy Twitter followers, Facebook friends, likes for a post, retweets, you name it.

Why do people buy likes?

There are three reasons why people buy likes, friends or followers on social media platforms. The first two are dishonest and the third is stupid.

Companies buy likes and followers to give their company an inflated imagine online. For example let’s say you just started an online dating site. You have recruited every developer, friend and family member you could and you have 35 members. Who is going to join a dating site with almost no potential dates? So you pay some website to get you tens of thousands of Twitter followers. That way when potential customers see you on Twitter they assume there are thousands of people on your site.

Many websites survive on advertising. Banner ads and sidebar ads pay the bills and allow the creators to do their thing. How much you can reasonably charge for a banner ad depends on how much reach you have. Remember reach equals how many people see what you do. By buying likes and followers, some dishonest bloggers inflate their reach and overcharge their sponsors.

Finally many newbies to the social media marketing game simply don’t know any better. They know they need a big reach to get sales, but they don’t fully understand how it works. They are drawn in by ads for thousands of followers. So they buy likes and then sit back and wonder why sales aren’t coming in.

Where do paid likes come from?

One of the big problems with paid reach is where these likes come from. They mostly come from “click farms” in third world countries. Yes, you read that right. They have sweatshops in third world countries where people are paid to sit and like things on facebook, all day, every day for up to twelve hours a day. It sounds insane, but it’s true.

When I first encountered the idea of paying for Twitter followers, I couldn’t understand how it could possibly be a sustainable business for anyone. You can find people offering up to a thousand new followers on websites like fivver.com. A thousand followers for five dollars? It sounds cheap.

I could offer that service. All it would take is for me to have a thousand separate accounts on Twitter. The only thing Twitter requires is an email address. I could easily spend a couple of days on Google or hotmail creating email accounts and then using them to produce Twitter accounts. All for five dollars. Thanks but no thanks.

The economy in places like Bangladesh, where many of these click farms are, makes it feasible. The average income in Bangladesh is 840 U.S. Dollars a year. Clicking farming is not only feasible, for some it is preferable to other forms of labor available.

 

The problem with paid reach

I have said before that buying likes is a fools errand. But it’s more than that, it hurts everyone. There are a number of reasons. But first, why is it a fools errand?

The simple answer is that a purchased followers isn’t going to buy your book, pure and simple.

But a paid follower doesn’t just waste your money once, they waste it over and over again. Every time you craft a new blog post, create a new ad campaign or run some sort of online promotion, a share of that effort goes to your paid followers, who promptly delete it.

If that’s not bad enough, they dilute your organic reach. Organic reach refers to how much reach you have without promoting a given post. Organic reach means fans, people who want to engage with you. Since platforms like Facebook only show your posts to handful of your fan, even a small number of fake friends can mean none of your real fans see your awesome posts. And that is sad.

If you have fallen for buying likes or followers in the past, now is the time to clean up your newsfeed. Twitter Audit will check your Twitter account for fake accounts. They even have premium services that will help you unfollow the ones you don’t want. I don’t know of any automated way to check your facebook feed but here’s a great article on how to spot fake accounts. Eliminating fake accounts from your friends list, your fan page and your twitter account will help improve your targeted advertising, getting your book in front of the people who actually want to buy it.

Paid reach hurts everyone

If paid reach only hurt those foolish enough to pay for it, I would let them go. But it hurts all of us. There are several reasons.

Paid reach is eroding consumer confidence. The average person is no fool. They catch on to tricks quick enough. A blogger friend of mine took a radical feminist group to the carpet on this recently. They had a hundred thousand likes on their facebook page, mostly from men in Bangladesh. Its hard to believe that excluding trans women from a minor feminist conference could get that much international support. My point is, people do notice. And it affects their view of social media in general.

Paid reach dilutes organic reach for everyone as well. Paid likes is against the terms of service on both Facebook and Twitter. There is a constant cat and mouse chase as those platforms seek to eliminate fake accounts. Suspicious accounts get suspended or deleted. As a countermeasure, click farms instruct their people to like lots of things, not just what they are paid to like. That prevents Facebook from picking up on them so quickly. You might well have a few followers/fans from Bangladesh. The first time I saw one I thought I had become an international sensation. More likely it was a click farm employee trying to imitate a real person with a few random likes. Here is a great video that illustrates this well.

The large amount of paid reach out there also dilutes advertisers confidence. That doesn’t affect the indie writer so much, but it threatens many bloggers. Their ad revenue is based on reach, but as advertisers realize how little reach is authentic, they are less willing to pay.

Fake likes hurts your fan base. I like pages on Facebook because I want to be kept informed about authors I like. However it doesn’t work anymore, because Facebook now decides what I see and it may be sharing news about some new release with a click farm worker in Indonesia instead of telling me.

Finally, and perhaps most importantly, fake likes hurts the people who work in the click farms. We already have too many industries built upon sweatshop labor. Do we really want to create another, virtual one? Clicking on web pages might be better than sewing fashion garments or assembling iphones, but it’s still not a real career. There are much better and more humane ways to support third world economies than buying twitter followers.

As you wade through the social media landscape you will find yourself at times awash in people wanting to sell you followers, likes and what not. It’s not worth it at any price. If we spread the word and get everyone on the don’t buy likes bandwagon, we can keep social media marketing effective for many years to come.

 

The End of an Era (and a site)

 

 

Wiredthatwaylogo1

For nearly two years I wrote a column for Accessline Iowa called Wired That Way. The column was about the intersection of technology and the LGBT community. It was great fun to write. It was also my first experience with a real editor and I learned a lot about writing.

I set up a website to go along with the blog and to provide a space for extra writing. I envisioned it leading to a sideline as a tech blogger.

My mother used to tell me, you can do anything you want, but you can’t do everything you want. Funny how we never appreciate these tidbits of wisdom until we are older, right?

While writing that column and blogging on that website, I was also working on a couple of YA novels. I never forgot my first love, sci fi and fantasy, either.

My first novel came out and it got decent reviews and sales, enough to encourage me to put more time and focus into fictional writing. The Accessline went to an all digital format and I decided that was a good time to bow out of my column. The website remained and for a long while I continued to post regularly.

Can you make it a business out of blogging? Lots of people do, but it’s a full time job. Can you make a business out of writing novels? Certainly, but again it’s a lot of work. My mom’s words of wisdom have become increasingly important to my writing career. I could do one or the other, but there simply aren’t enough hours in the day to both. So Wired That Way has taken a backseat to fiction. Contemporary YA novels are slowly taking a backseat to fantasy and science fiction. So it goes.

Wired That Way was hosted through a different company as my other websites. As of December 2014, my hosting account came up for renewal and I just couldn’t justify a two year contract on a website I don’t use anymore. So I’ve redirected the site here for now. This is the site I am most active on, and where what tech writing I do will likely go. Maybe in time I will create a new wordpress site on this host for Wired That Way, but for right now I am going to combine it with this site.

Let me know your thoughts in the comments.

 

The Tale of the Long Tail

Republished from my Nuts and Bolts newsletter:

My recent article on Amazon resulted in one reader sending me feedback about a marketing book, Write, Publish, Repeat. It had been on my wishlist and I have since picked it up and read it. Thanks, Mike Cody for the suggestion.

One of the terms they introduce in the beginning is the long tail. It’s a term several of the popular Indie marketing gurus use. They describe the benefits of working the long tail in slightly different ways. Let’s explore the long tail of ebook publishing.

What is the long tail?

Remember the link I gave that estimated actual sales based on Amazon sales rank? I plotted that chart on a simple x,y graph. Here is what it looks like.

longtale

What we see is a very uneven distribution of sales. The bestseller sell upwards of 4,000 copies a day. The number five seller is half that. As a books sales rank drops, so do sales – by a huge margin. And this is Amazon, the great equalizer.

As far as I can tell, publishing has always been like this. It has always slanted heavily towards a few blockbusters. A few books sell enormously well. Most books sell much less.

In publishing lingo the huge sales at the top of the chart is the big head and the line heading down the ranks is the long tail. This always makes me think of Godzilla.

godzilla

Traditional publishing has always been focussed on the big head. They are constantly seeking the next big thing. Bestsellers have good profit margins, most other books don’t. It’s kind of that simple.

Traditional publishing has a much shorter tail. There are three important reasons. Retail stores don’t keep books in stock if they don’t sell. Publishers aren’t interested in publishing books that have a limited audience. Publishers only publish so many books a year, and they often limit how many come from a single author.

Ebooks and indie publishing has turned this on its head. Now many indie authors are thriving on the long tail. The reasons parallel the reasons that publishers aren’t interested in the tail.

Joe Konrath’s tail

Joe Konrath’s blog, a newbie’s guide to publishing, is the bible for many indie writers. Joe talks about the long tail of publishing on his blog. He emphasizes the notion that ebooks are forever.

In the old days new releases came out four times a year. For three months, your book was a new release. For that short sweet time you might be displayed at the front of the bookstore for the world to see. When the next set of releases arrived, your book would likely be packed off to the regular shelves, spine out, where almost no one would see it. Worse yet, if your book wasn’t selling the bookstore might send it back.

Books were produced in large print runs from five to fifty thousand books. If your first print run didn’t sell out and the publisher started to see returns, they weren’t going to risk another print run. As little six months to year after your release, your book could be effectively out of print.

Ebooks never go out of print. They kind of, sort of, go to the back of the bookstore, in that they quickly disappear off most lists if they don’t have a great sales rank. But digital shelf space is unlimited and all books are displayed covers out. Your book will be there forever.

And forever, Joe says, is a long time. Most authors will eventually do better on their own, he argues, over time. Let’s say Author A is traditionally published. Her publisher prints 10,000 copies of her books and place them in bookstores all over the country. Over the course of a year, half those books sell. 5,000 sales is respectable but no where near selling out her first print run and it’s unlikely they will keep that title in print for long.

Author B decides to take a chance on the indie market. Over the same time period she sells a fraction of that number, five hundred books in her first year. But because of the long tail of publishing, she may well continue to sell at that rate indefinitely. In ten years she will have outsold Author A and her book is still on the market and selling.

Sean Platt and Johnny B. Truant’s long tail

Ten years is a long time to wait for a payoff. Hopefully Author B hasn’t been sitting around twiddling her thumbs and dreaming of the day she will outsell her rival. Hopefully she’s been writing. When Sean Platt and Johnny B. Truant introduce the long tail in Write. Publish. Repeat. This is their take on the tail. Indie authors don’t have to wait on a publisher to decide to publish them. They can keep writing and publishing new works on their schedule.

I know a mystery writer who has a book that’s been contracted with a publisher for over two years. It keeps getting bogged down in production issues or pushed off til the next release cycle. That may be an extreme case, but traditional publishing is definitely slow. It takes months for books to get out.

In the past, some publisher would only accept one submission from an author in a year. They felt that authors who wrote three or four books a year were sacrificing quality for speed. Never mind that the paltry advances and poor royalties made it impossible for the average writer to live on one book a year.

Sean and Johnny argue you can live out on the tail of publishing if you just keep writing. Don’t expect sales on one title to pay your bills. Keep working until you have ten or more books out. Modest sales on a number of titles ends up being the same money as huge sales on a single title.

Let’s end with a naughty tale, shall we?

The final great thing about the long tail of ebooks is that it makes really niche sort of books viable. In the past publishers wouldn’t touch certain genres or subjects because there weren’t enough consumers.

The low production cost on ebooks and print on demand, coupled with world wide distribution online, makes some tiny niche genres profitable for some people. So if you write unusual books, take heart.

Erotica has come out of the shadows with success of Fifty Shades of Gray. But what if you write something a little more niche, like tentacle erotica. Yes, that’s a thing.

How many people read those books? I can’t say, but I doubt its a large number. It doesn’t matter. If even a thousand people in the entire world read that sort of stuff, and you can brand yourself as the “best tentacle erotica writer” (there is a title that will make mom proud) you can write and sell a thousand books.

Tentacle erotica fits the quirky mood I am in as I write this but there are hundreds of other, better, more pedestrian examples. From small genres, cross-genre fiction, special interest topics to historical poor selling books, writers are succeeding in surprising ways. A new breed of authors are carving out niches for themselves all over the long tail of publishing.

If you are one of the many indie authors that are struggling to get noticed or get sales, take heart. Be patient. Keep writing. Don’t write what you think people will read, go out and find people who read the kind of books you write. You can make it thanks to the long tail of publishing.

 

Three Reasons I am Aggressively Building my Email List

And why, if you are a writer, you should too.

email-icon-isolated-13761939

I am working hard on building up a strong email list. By working hard, I am re-writing my appeal, creating a more central space on my website for that appeal and most importantly, I am giving away copies of my next book for free.

Why am I trying to build my list. Here are three simple reasons.

1. An email list is yours.

Email lists are platform independent. Many indie writers are too dependent on social media or a web platform (like a blogging site or retail site.) What happens if those sites change or disappear? It’s happened before and likely it will happen again.

Jeff Bezzo has said so. In an interview about Amazon.com’s disruption of traditional publishing he admitted that it was not only likely that some new site would someday disrupt and replace Amazon, it was inevitable.

These disruptions can be painful for both writers and readers. When Facebook changed the algorithm it uses to show posts, many bloggers and authors saw their page views plummet. But we aren’t the only ones who suffer. Fans who want to see our posts now don’t.

If you leave Facebook for whatever reason, there is almost no way to take your fan base with you. A tiny change in Google’s search engine could downgrade a popular website to obscurity. Amazon could change its royalty payouts (as critics keep fearing) and make it no longer profitable for Indies.

An email list is insurance against such disruptions. It’s the one thing you can download and walk away with. You can change social media focus, website and even retailer without losing those fans.

2. An email list takes a long time to build

Statistics show that authors with large email list make more money. I am more than a little suspicious of that statistic because it takes a long time to build a good email list, so those authors have likely been around longer and written more.

As I stick around longer and write more, that excuse is wearing thin. The fact that email lists take a long time to build is the best reason to get started now. Even if all you have is a half dozen emails and a short story on Wattpad to direct them to, start now. Your future self will thank you. When your books start coming out you will be ahead of the curve for once, not running to catch up.

3. Everyone’s doing it.

I don’t normally approve of peer pressure or doing what everyone else is doing, but I am making an exception here. One of my goals for 2014 was to learn book marketing. I’ve read dozens of books by successful Indie authors. They all agree on one point, email marketing is the most important first step.

 

So there you have it, three simple reasons why writers should have an email list. If you need more reasons, you will have to think of them yourself. I’ve got writing to do.

For readers, you can sign up for my newsletter and get a free copy of an epic fantasy.

 

 

Looking for my tribe

The beauty of being an indie author is this day in age is that writing is less and less about writing what publishers or mass markets want. It’s more about finding your tribe, those readers that are hungry for the kinds of books you write.

I write two different kinds of books. I write contemporary YA with an LGBT bent and I write science fiction/fantasy books. Most publishers will tell you those two genres do not go together. I have been to enough science fiction conventions to know better. LGBT youths often find science fiction a safe place to explore themselves. Many science fiction fans are drawn to characters that stand outside the social norms, whether its sexuality, gender or some other issue.

So I am doing an experiment/promotion/exercise in finding my reading tribe. It works like this. I am going to give you an excerpt of a work in progress. One character, Devon, places two books into the streets Itty Bitty Library. If you can name both books referenced in the excerpt, do so in the comments.

The first person to correctly identify both books wins a chance to be a character in that book. Just give me a name, description and short personality bio. (p.s. It doesn’t have to be yours. You can give me a fictional name you go by in some context or a friend you want to honor.)

Excerpt:

Fourteen year old Ethan Hillcrest spied around the corner. He sighted down the block with his toy gun. “All clear,” he called back to his sisters, Rosie and Esther.

They came around the corner clutching their dolls and shooting him looks that said they didn’t see the need for a military escort at all. He ignored the look.

They went to the shade under the tree in their front yard and set down to play with their dolls. Ethan went and hid behind the trunk of the tree and continued his look out.

He scanned the far side of the street. He scanned the back of the Mondamin U. Inspecting the houses from right to left. Jack was on the corner. He was an ex cop. Occasionally he would sit on his porch and a couple times he told Ethan stories about the old days when he worked the beat.

Next to him was Justin and Danielle Smith. Justin was a cop, and one of the coolest adults Ethan had met, next to his dad. Danielle ran a daycare and Rosie and Esther loved it when they got to go play with the babies. Ethan didn’t care about no babies, but went along anyway.

To the left of the Smith’s was an older couple. Ethan couldn’t remember their names. Mom called out and greeted them whenever she saw them out on the street, which was rarely. She admonished the kids to respect their elders and Ethan did, he always spoke politely to them and laughed at the man’s joke, even though they weren’t funny.

This was the good side of the street. That was friendly territory.

Next door to them was the lesbian couple. Neither Mom or Dad liked them much. They muttered about sin and worried that their influence might lead Ethan or his sisters into sin. Ethan knew there were a couple girls at school who identified as lesbians. He wasn’t sure what the big deal was.

Kitty corner across from the lesbian’s was Lydia Scott, public enemy number one. She ran a yoga studio down on University. Yoga, his mom said, was an evil foreign cult. Ethan had been told that it was a form of exercise, in fact they had done it in P.E. At school. He didn’t tell his mom that. She had already threatened to pull him out of public school and homeschool him more than once. He didn’t want to leave his friends, so he kept his mouth shut.

He spied a redhead coming out of Lydia’s house. There was Mondamin’s newest public enemy.

Ethan remembered Devon vaguely. The adult’s had always said stuff, usually in a whisper, about the boy. But Ethan had kind of liked him. Not that they had much in common, being more than six years apart. What Ethan recalled was that Devon was nice to kids and took the time to include them in his games if possible. Few high school kids did that with elementary or junior high kids.

But this was too much. Devon was wearing a yellow tights, a red skirt and a yellow, women’s top.

“I don’t know how she can put up with this,” Mom had muttered at his father after she came home from the meeting last night. “The shame of it.”

“If I had ever worn women’s clothes,” his father had said, “my dad would have beat me within an inch of my life. Same goes for Ethan.”

Ethan had started, as he eavesdropped from his bedroom, but of course they didn’t know he was listening. Besides, he’d never had any inclination to try on women’s clothes either.

Ethan continued to spy on Devon, slowly pulling back to keep the tree between him and his subject. Devon had two books in his hands and he stopped in front of an oversized mailbox.

It was the itty bitty library they had built three years ago. It had been a school project for Devon. It was a miniature doll house with plexiglass walls on one side. Inside was one shelf with a dozen books or so. Neighbors were encouraged to borrow books for free, and to place new books in if they felt like it.

Mom hadn’t approved. There was no telling what sort of books someone might put in there. Nobody was monitoring the quality or morality of the selection. That might be okay for adults, but there were kids on the block.

It was one of the few times she found herself in the minority. The smith’s valued education, or so they said, and requested the library be built on their property even. Jack, Mr. Rick from the down the street, they all supported the project.

It was the other thing that Ethan liked about Devon. Mom wanted to check and monitor every piece of reading material that came in their house, make sure it taught proper Christian values. That was okay for Rosie and Esther, but he was fourteen, almost an adult. Surely he could decide what to read for himself.

Justin and Danielle read thrillers and when they were done, they went in the box. Jack had once left a survivalist manual in the box, that book was now hidden in the playhouse out back, one of Ethan’s prize possession.

Devon was all about science fiction and fantasy. Ethan had to credit Devon and the itty bitty library for most of the cultural knowledge he had. He would swipe books out of the itty bitty library and stash them in the playhouse. While all the other kids got to watch the latest movies or play the latest video games, Ethan would read the book.

Devon stopped at the itty bitty library and opened the door. He put the two books he was carrying inside and then stared at the shelves thoughtfully for a few minutes. He closed the door without taking anything and headed back towards his house.

Ethan pressed his back against the tree trunk. “Drop has been made, repeat, drop has been made,” he muttered into his shoulder, as though talking into a radio. He glanced at their front window. Mom was nowhere to be seen. He glanced down the street again. Devon was already on the porch, heading back inside.

Ethan stuck the toy gun down the front of his jeans and crossed the street. He opened the door of the itty bitty library and inspected the new books. He knew the contents well enough to not waste time on the others.

The first had a woman with a butterfly on the shoulder on the cover. He read enough of the back cover to realize it had to do with a boy who wanted to be a girl and he shoved it back in. He wiped his hands on his jeans quickly, fearing he might catch whatever it was that made Devon act the way he did.

The second book was a goldmine, Ethan could tell it at a glance. It had a woman on the cover too, but she was wearing goggles, a sure sign of something steampunk. No one at school even knew what steampunk was but Devon and, by osmosis, Ethan, were obsessed with it. Reading the back cover, this novel was not only steampunk, it had zombies.

A cop car pulled up and Ethan started. It’s a free library, that’s the point, he reminded himself. Besides it was only Justin coming home from work.

He turned the cover towards his chest and wrapped his arms around the book. He didn’t know if Justin talked to his parent’s about what they saw, but he didn’t want this title even getting back home.

“Guarding the neighborhood are we?” Justin joked with a nod towards Ethan’s waist.

Ethan looked down and the toy gun and blushed. He didn’t want to be caught playing. He was too old for that. But what else could he do? His mom ordered him to stay outside and watch his sisters. “Sir, yes, sir,” he said.

What’s your Werewolf Name?

Bear_Naked_FINAL

 

 

 

 

 

 

 

My editor Janet Green at the Wordverve recently shared a link, What’s Your Werewolf Name? on Facebook. In turned into a mini promotion for Bear Naked.

And the winner is…Terry Morrow. Terry will be receiving a signed copy of Bear Naked and mention within the pages of Bear Naked 2: Wolf Camp. A big thanks to all who played. Join on us on Facebook, Pinterest, Twitter or here at rjeliason.com. We love these sort of informal promotions, so who knows when you might be given a chance to win something else.